Dew Harrison joined us in Huntly during 2006 while she was working as a researcher at Gray’s School of Art.
The proliferation and increasing accessibility of digital media has allowed artists and institutions to integrate new tools and methodologies into their practices. How do these new technologies and diverse media relate to the artist's and curator's concerns regarding representation, exhibition, archive and production? Where does digital media meet traditional practice in the art historical canon, and what are the effects on current practices?
